Chair /

The Way Things Work (cycle three)

Adam Chodzko - round table
Event
Feb 2009
Adam Chodzko; the third in a series of studio based seminars with invited artists, as in previous sesssions as part of this programme – exploring methods of investigation and processes of production in and beyond the studio, addressing issues of collaboration, negotiation, dialogue, economic conditions and contexts. More...

Yve Lomax, The Art of Writing

Yve Lomax
Event
Feb 2009
Through a series of readings Yve Lomax discussed the specifics of writing as a form of art making. It has been a longstanding concern of Yve Lomax to include writing within the repertoire of visual art and place emphasis on writing as a practice not only in relation to writing as art but also the ‘art’ of writing of theory. More...

Wallace Berman and Allen Ruppersberg

installation view - Camden Arts Centre
Event
Nov 2008
An afternoon symposium, in collaboration with Camden Arts Centre, examining the historical context and artistic legacy of the emergent art scene on the west coast of America in the 1950s to contemporary practice today. Sophie Dannenmuller, Academic and writer, discussed the work of Wallace Berman. John Slyce; writer and critic, looked at the work of Allen Ruppersberg in relation to experimental film. Thomas Evans; discussed the historical context of the art scene in LA in the 1950s. Thomas Evans is an editor and artist living in New York. Between 2002 and 2006 he edited the monthly mail-out magazine Tolling Elves, publishing among others Wallace Berman, Jess, Jay DeFeo and Bruce Conner. The symposium was chaired by Jenni Lomax, Director, Camden Arts Centre. Links: Camden Arts Centre Tolling Elves

The Way Things Work (cycle two)

'round-table'
Event
Nov 2008
Jaki Irvine and Will Holder; the second in a series of studio-based seminars with invited speakers exploring methods of investigation and processes of production in and beyond the studio, addressing issues of collaboration, negotiation, dialogue, economic conditions and contexts. More...

The Way Things Work (cycle one)

Emily Wardill and students
Event
Oct 2008
Emily Wardill; the first in a series of studio-based seminars with invited speakers exploring methods of investigation and processes of production in and beyond the studio, addressing issues of collaboration, negotiation, dialogue, economic conditions and contexts. More...

Vito Acconci, in conversation

studio 'round-table'
Event
Mar 2007
A talk by Vito Acconci, to present an overview of his practice, and a round table studio discussion with under-graduate, Post-graduate, Research students and invited guests in Studio G01, Central Saint Martins College of Art and Design, Charing Cross Road. Vito Acconci’s visit was made possible through the support of the AHRC funded Research Project ‘Curating Architecture’ at Goldsmiths College and The Henry Moore Foundation. More...

Anthony McCall, in conversation

drawing - Anthony McCall
Event
Oct 2005
A round table ‘in conversation’ with Graham Ellard and undergraduate students, BA Fine Art at Central Saint Martins. After an lecture by Graham Ellard introducing McCall’s work, selected students joined Anthony around the table in their studio to discuss their responses to the work. More...

Sounds Like Drawing

'in conversation'
Exhibition
Oct 2005
An exhibition exploring the trajectory between sound and drawing. 13 October – 20 November 2005 at The Drawing Room, London. Double agents collaborated with The Drawing Room to stage an event with Anthony Huberman, curator, and artists Kaffe Matthews, Conor Kelly, and Steve Roden, chaired by Ben Borthwick, Curator, Tate Modern. More...

Peg Rawes, Graham Ellard and Stephen Johnstone

Peg Rawes, with Graham Ellard and Stephen Johnstone
Event
Jul 2003
Peg Rawes, in conversation with artists Graham Ellard and Stephen Johnstone to reconsider how aesthetics and critical structures mediate between architectural and visual practice, hosted by The Serpentine Gallery, in the Oscar Niemeyer Pavilion, organised by Lisa Panting, Milch, London. More...

Michael Asher, in conversation with Charles Esche

Michael Asher
Event
Jun 2003
Michael Asher, in conversation with Charles Esche – an event staged in collaboration with Afterall, at The Serpentine Gallery’s Oscar Niemeyer Pavilion. Michael Asher (b.1943, Los Angeles) is a seminal figure within the contemporary practice referred to as ‘institutional critique’. Since 1966 he has made site-specific interventions that focus on the ideological nature of the physical environments of galleries, museums and art institutions. His works have been included in Documenta (1972) and the Venice Biennale More...