Contributors /

Through a series of readings Yve Lomax discussed the specifics of writing as a form of art making. It has been a longstanding concern of Yve Lomax to include writing within the repertoire of visual art and place emphasis on writing as a practice not only in relation to writing as art but also the ‘art’ of writing of theory. More...

A new book ‘Look Behind Us, a Blue Sky’ on the work of Johanna Billing, supported by Double agents, and published to accompany her major exhibition at Kunst Museum Basel and Dundee Contemporary Arts. More...

This issue features a discussion of the work of Knut Henrik Henriksen between Lisa Panting and Malin Ståhl; a work for the page by Anne Tallentire based on commissioned a photographic project ‘Arena Industriale’ made in Reggio Emilia, Italy; an essay ‘Motion Path: a bibliography’, by Graham Ellard and Stephen Johnstone, and an afterword by Sissu Tarka. Designed by bc/mh. Downloads: Text (pdf) – available soon. Links: Hollybush Gardens. ‘Motion Path’ (2006) Graham Ellard and Stephen Johnstone. BCMH. See also: ‘1+1+1’ issue one, February 2005. ‘1+1+1’ issue two, May 2005. ‘1+1+1’ issue three, November 2005.

This issue was produced to accompany the exhibition ‘Sounds Like Drawing’ in collaboration with The Drawing Room, and includes an essay by curator Anthony Huberman (SculptureCentre New York), a transcription of a public ‘in conversation’ at the gallery with the curators, exhibitors Kaffe Matthews, Steve Roden and Conor Kelly, and chaired by Ben Borthwick (Tate Modern), and a new work by Yve Lomax commissioned for the printed page. More...

This issue was produced to accompany the exhibition ‘The Trouble with Talkies’ and included essays on each of the works by their selectors – Anne Tallentire, Graham Ellard, Adam Chodzko, Lisa Panting, Uriel Orlow, Jaki Irvine. More...

The first of a series of broad sheet journals featuring one essay, one interview and one artwork, each of which draws on significant current international practice. Issue one featured two projects by Roman Ondák, Lisa Panting on Diemantas Narkevičius, and a ‘Family Tree’ of Czech art by Vít Havránek & Ján Mancuska. Designed by bc/mh. Broadsheet, 8pp, 4pp colour illustrations, ISSN: 1746-6989. Downloads: Texts (pdf) – available soon. Links: BCMN See also: ‘1+1+1’ issue two, May 2005. ‘1+1+1’ issue three, November 2005. ‘1+1+1’ issue four, July 2006.

A ‘ready-made archive’, a holiday correspondence and a philosophico-anecdotal meditation on history, ‘Re: the archive, the image, and the very dead sheep’ is the first collaborative work by Uriel Orlow and Ruth Maclennan. Ruth Maclennan and Uriel Orlow write to each other while on holiday in the Highlands of Scotland and in Zurich and the Swiss Alps. The correspondents draw on documented, anecdotal and imagined histories of their surroundings to produce associative genealogies: mapping thought, More...

Catalogue, supported by Double agents, to accompany ‘Density ±0’, an exhibition focusing on the art of the ineffable or intangible, curated by Caroline Ferreira d’Oliveira and Marianne Lanavère. The show opened at the Ecole Nationale Supérieure des Beaux-Arts in Paris in February. The show was supported by Double agents and features the work of Francis Alÿs, Graham Gussin, Roman Signer, Ceal Floyer, Carsten Nicolai, and work-seth/tallentire. More...

‘Works #3, #4, #5’, a book, supported by Double agents, on the work of Johanna Billing, published by Milch to accompany the exhibition at Gainsborough Studios, London. More...