Contributors /

In March 2017 Rob Chavasse visited the studio Associate Studio in Stockwell. After a brief introduction to some of his recent projects; including ‘Marsh Lane Diversion’, Frieze London, 2016 and ‘Braids’ at Jupiter Woods, Vienna, Rob discussed work in progress by Associates Jordan Mouzouris, Vicky Young, Rachel Christian, Isabel Cole and Fleur Dempsey. Subjects ranged from the immediate responses and ideas raised by the work itself to the surrounding practical and professional issues of sustaining More...

Presenting ongoing dialogue between affordable studio provider Acme Studios and London art and design college Central Saint Martins, ‘Studios for Artists’ takes a detailed look into the changing form and function of the artist’s studio in relation to contemporary art practice, as revealed through an extensive program of research, studio visits and interviews. The form, function and future of the artist’s studio is the central focus of the collaboration and of this publication. More...

Having been in the studio for almost a year the first Associate Studio Programme is well established. The eight Associates have maintained the open plan layout allowing each other to expand and contract their activities within the shared space as their work demands. In addition to the studio visits by artists, writers and curators, the studio has been visited by other studio providers and academics, and most recently by artist/photographer Hugo Glendinning. More...

Through a series of readings Yve Lomax discussed the specifics of writing as a form of art making. It has been a longstanding concern of Yve Lomax to include writing within the repertoire of visual art and place emphasis on writing as a practice not only in relation to writing as art but also the ‘art’ of writing of theory. More...

A new book ‘Look Behind Us, a Blue Sky’ on the work of Johanna Billing, supported by Double agents, and published to accompany her major exhibition at Kunst Museum Basel and Dundee Contemporary Arts. More...

This issue features a discussion of the work of Knut Henrik Henriksen between Lisa Panting and Malin Ståhl; a work for the page by Anne Tallentire based on commissioned a photographic project ‘Arena Industriale’ made in Reggio Emilia, Italy; an essay ‘Motion Path: a bibliography’, by Graham Ellard and Stephen Johnstone, and an afterword by Sissu Tarka. Designed by bc/mh. Downloads: Text (pdf) – 1+1+1 issue four Links: Hollybush Gardens. ‘Motion Path’ (2006) Graham Ellard and Stephen Johnstone. BCMH. See also: ‘1+1+1’ issue one, February 2005. ‘1+1+1’ issue two, May 2005. ‘1+1+1’ issue three, November 2005.

This issue was produced to accompany the exhibition ‘Sounds Like Drawing’ in collaboration with The Drawing Room, and includes an essay by curator Anthony Huberman (SculptureCentre New York), a transcription of a public ‘in conversation’ at the gallery with the curators, exhibitors Kaffe Matthews, Steve Roden and Conor Kelly, and chaired by Ben Borthwick (Tate Modern), and a new work by Yve Lomax commissioned for the printed page. More...

This issue was produced to accompany the exhibition ‘The Trouble with Talkies’ and included essays on each of the works by their selectors – Anne Tallentire, Graham Ellard, Adam Chodzko, Lisa Panting, Uriel Orlow, Jaki Irvine. More...

The first of a series of broad sheet journals featuring one essay, one interview and one artwork, each of which draws on significant current international practice. Issue one featured two projects by Roman Ondák, Lisa Panting on Diemantas Narkevičius, and a ‘Family Tree’ of Czech art by Vít Havránek & Ján Mancuska. Designed by bc/mh. Broadsheet, 8pp, 4pp colour illustrations, ISSN: 1746-6989. Downloads: Texts (pdf) – 1+1+1 issue one Links: BCMN See also: ‘1+1+1’ issue two, May 2005. ‘1+1+1’ issue three, November 2005. ‘1+1+1’ issue four, July 2006.