Paris based artist Neil Beloufa focussed entirely on the work of the Associates but drew in themes of narrative in common with his own practice – both the narrative capacity within the work and the narrative of the work, or the stories that the work tells and the stories that the artist tells. In particular; the delicate balance between what is true and what is false and how that equivocacy might be maintained rather than resolved. This was discussed as a process of withholding and disclosing, specifically in relation to film and video works, but it was also applied to objects and images through the implied actions that had brought them about.
